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	<title>Movies &#8211; Nofi Media</title>
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	<description>Premier sur la culture noire</description>
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	<title>Movies &#8211; Nofi Media</title>
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		<title>Who is Zaven Najjar?</title>
		<link>https://www.nofi.media/en/2026/03/who-is-zaven-najjar/99386?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=who-is-zaven-najjar</link>
					<comments>https://www.nofi.media/en/2026/03/who-is-zaven-najjar/99386#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Dikamona]]></dc:creator>
		<pubDate>Thu, 12 Mar 2026 12:59:53 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Biographie]]></category>
		<guid isPermaLink="false">https://www.nofi.media/?p=99386</guid>

					<description><![CDATA[On the occasion of the release of the animated film Allah Is Not Obliged, an adaptation of Ahmadou Kourouma’s cult novel, here is a portrait of the director Zaven Najjar. Formerly an illustrator turned filmmaker, he delivers an ambitious first feature that explores war, childhood, and memory through animation. Zaven Najjar: A New Face of [&#8230;]]]></description>
		
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		<title>But who is Mister Terrific? appearing in the New superman film!</title>
		<link>https://www.nofi.media/en/2025/06/but-who-is-mister-terrific-appearing-in-the-new-superman-film/95224?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=but-who-is-mister-terrific-appearing-in-the-new-superman-film</link>
					<comments>https://www.nofi.media/en/2025/06/but-who-is-mister-terrific-appearing-in-the-new-superman-film/95224#respond</comments>
		
		<dc:creator><![CDATA[Jérémy Musoki]]></dc:creator>
		<pubDate>Mon, 30 Jun 2025 10:22:20 +0000</pubDate>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[dc comics]]></category>
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					<description><![CDATA[Have you seen the trailer for the new Superman movie? The one being helmed by James Gunn? Well, guess what — Mister Terrific is going to be in it!“Cool,” you might say.“But… who’s that character?”Don’t worry, I’ve got you covered — let’s dive in. As you know, the cinematic world that brought us Superman, Batman, [&#8230;]]]></description>
		
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		<title>Could Omar Sy be the greatest french actor of our time?</title>
		<link>https://www.nofi.media/en/2025/06/could-omar-sy-be-th-greatest-french/95766?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=could-omar-sy-be-th-greatest-french</link>
					<comments>https://www.nofi.media/en/2025/06/could-omar-sy-be-th-greatest-french/95766#respond</comments>
		
		<dc:creator><![CDATA[Jérémy Musoki]]></dc:creator>
		<pubDate>Thu, 12 Jun 2025 14:30:21 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Kerry Washington]]></category>
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					<description><![CDATA[Netflix recently announced that French actor Omar Sy will star in the upcoming Extraction spin-off, taking over from Chris Hemsworth. This major news serves as a reminder that the former comedian from Canal+’s SAV des émissions is no longer just a funnyman: since Intouchables (2011), he has delivered hit after global hit at a relentless [&#8230;]]]></description>
		
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		<title>&#8220;STRAW&#8221;: Tyler Perry, the pain of black women and the need for a new gaze</title>
		<link>https://www.nofi.media/en/2025/06/straw-tyler-perry-the-pain-of-black/95697?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=straw-tyler-perry-the-pain-of-black</link>
					<comments>https://www.nofi.media/en/2025/06/straw-tyler-perry-the-pain-of-black/95697#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Dikamona]]></dc:creator>
		<pubDate>Wed, 11 Jun 2025 12:21:45 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[cinéma engagé]]></category>
		<category><![CDATA[Tyler Perry]]></category>
		<category><![CDATA[Madea]]></category>
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					<description><![CDATA[With Straw, a new Netflix hit, Tyler Perry reignites debate about the way he represents Black women on screen. Sincere tribute or narrative confinement? Nofi opens the discussion. Barely released, Straw—written, produced, and directed by Tyler Perry—soars to number one on Netflix. Starring Taraji P. Henson, the drama follows a struggling Black mother, cornered by [&#8230;]]]></description>
		
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		<title>The tree of authenticity: Memory as insurrection</title>
		<link>https://www.nofi.media/en/2025/05/the-tree-of-authenticity-memory-as/95216?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-tree-of-authenticity-memory-as</link>
					<comments>https://www.nofi.media/en/2025/05/the-tree-of-authenticity-memory-as/95216#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Dikamona]]></dc:creator>
		<pubDate>Wed, 21 May 2025 08:29:23 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[film engagé]]></category>
		<category><![CDATA[décolonisation]]></category>
		<category><![CDATA[Congo]]></category>
		<category><![CDATA[documentaire]]></category>
		<category><![CDATA[histoire africaine]]></category>
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					<description><![CDATA[National screening and popular success for The Tree of Authenticity by Sammy Baloji, a major work on Congolese postcolonial memory. When the tree falls, the forest remembers&#8230; In the hushed world of film festivals, sometimes a film emerges with the quiet strength of an ancient tree. The Tree of Authenticity, the first feature-length documentary by [&#8230;]]]></description>
		
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		<title>Wayland Rudd, the forgotten actor of the Soviet dream</title>
		<link>https://www.nofi.media/en/2025/05/wayland-rudd-the-forgotten-actor/94960?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wayland-rudd-the-forgotten-actor</link>
					<comments>https://www.nofi.media/en/2025/05/wayland-rudd-the-forgotten-actor/94960#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Dikamona]]></dc:creator>
		<pubDate>Mon, 12 May 2025 15:28:18 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Portrait]]></category>
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					<description><![CDATA[An African American actor exiled in the Soviet Union, Wayland Rudd embodied the thwarted utopia of a life dedicated to art and equality. Caught between the Soviet myth and tragic solitude, his story raises deep questions about political exile and memory. A black actor in the red shadow of Moscow Moscow, winter 1933. In the [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">94960</post-id>	</item>
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		<title>Fanon: A giant leap for francophone black cinema</title>
		<link>https://www.nofi.media/en/2025/04/fanon-leap-francophone-black-cinema/94643?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fanon-leap-francophone-black-cinema</link>
					<comments>https://www.nofi.media/en/2025/04/fanon-leap-francophone-black-cinema/94643#respond</comments>
		
		<dc:creator><![CDATA[Redaction NOFI]]></dc:creator>
		<pubDate>Wed, 30 Apr 2025 13:57:16 +0000</pubDate>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Movies]]></category>
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					<description><![CDATA[Frantz Fanon once wrote: “Each generation must, out of relative obscurity, discover its mission, fulfill it, or betray it.” And what if Jean-Claude Barny’s mission was to shake the very foundations of Francophone Black cinema? I left the screening full of doubt and questions. Moved! Proud! Jean-Claude Barny’s film Fanon does not leave you indifferent. [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">94643</post-id>	</item>
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		<title>TIMPI TAMPA: The gut-punch film that makes truths dance and masks tremble</title>
		<link>https://www.nofi.media/en/2025/04/timpi-tampa-film-makes-truths-dance/94571?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=timpi-tampa-film-makes-truths-dance</link>
					<comments>https://www.nofi.media/en/2025/04/timpi-tampa-film-makes-truths-dance/94571#respond</comments>
		
		<dc:creator><![CDATA[Redaction NOFI]]></dc:creator>
		<pubDate>Fri, 25 Apr 2025 10:37:50 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[african film]]></category>
		<category><![CDATA[Timpi Tampa]]></category>
		<category><![CDATA[skin bleaching]]></category>
		<category><![CDATA[FESPACO 2025]]></category>
		<category><![CDATA[social satire]]></category>
		<category><![CDATA[Pape Aly Diop]]></category>
		<category><![CDATA[panafrican cinema]]></category>
		<category><![CDATA[Dakar cinéma]]></category>
		<category><![CDATA[Black representation]]></category>
		<category><![CDATA[beauty contest]]></category>
		<category><![CDATA[Canal+ Afrique]]></category>
		<category><![CDATA[Black identity]]></category>
		<category><![CDATA[wolof cinema]]></category>
		<category><![CDATA[Europacorp]]></category>
		<category><![CDATA[black women]]></category>
		<category><![CDATA[afro-feminism]]></category>
		<category><![CDATA[dépigmentation]]></category>
		<category><![CDATA[senegalese cinema]]></category>
		<category><![CDATA[black beauty]]></category>
		<category><![CDATA[wolof film]]></category>
		<category><![CDATA[sororité]]></category>
		<category><![CDATA[african youth]]></category>
		<category><![CDATA[film engagé]]></category>
		<category><![CDATA[afrofeminist aesthetics]]></category>
		<category><![CDATA[Adama Bineta Sow]]></category>
		<guid isPermaLink="false">https://www.nofi.media/?p=94571</guid>

					<description><![CDATA[With TIMPI TAMPA, Senegalese director Adama Bineta Sow delivers a bold, sensitive, and fiercely necessary debut feature. Supported by a 100% local cast and shot in Wolof, this social tale set against the backdrop of a university beauty pageant dismantles colonial standards of Black beauty while celebrating sisterhood, identity, and resilience. A gut-punch film, soft [&#8230;]]]></description>
		
					<wfw:commentRss>https://www.nofi.media/en/2025/04/timpi-tampa-film-makes-truths-dance/94571/feed</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">94571</post-id>	</item>
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		<title>Before the MCU, there was Blade!</title>
		<link>https://www.nofi.media/en/2025/04/before-the-mcu-there-was-blade/94472?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=before-the-mcu-there-was-blade</link>
					<comments>https://www.nofi.media/en/2025/04/before-the-mcu-there-was-blade/94472#respond</comments>
		
		<dc:creator><![CDATA[Redaction NOFI]]></dc:creator>
		<pubDate>Wed, 23 Apr 2025 11:52:36 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<guid isPermaLink="false">https://www.nofi.media/?p=94472</guid>

					<description><![CDATA[Before Black Panther, before the MCU, a Black vampire in a leather coat redefined the codes of superhero cinema. In 1998, Blade, carried by a possessed Wesley Snipes, saved Marvel from bankruptcy and imposed a visual, narrative, and political style still unmatched. As a smooth, formatted reboot looms, let’s look back at a cult work, [&#8230;]]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">94472</post-id>	</item>
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		<title>« Fanon » : Jean-Claude Barny brings Frantz Fanon&#8217;s anticolonial struggle to the screen</title>
		<link>https://www.nofi.media/en/2025/04/jeanclb-bringfanonanticolonialstrug/94445?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jeanclb-bringfanonanticolonialstrug</link>
					<comments>https://www.nofi.media/en/2025/04/jeanclb-bringfanonanticolonialstrug/94445#respond</comments>
		
		<dc:creator><![CDATA[Charlotte Dikamona]]></dc:creator>
		<pubDate>Tue, 22 Apr 2025 09:16:43 +0000</pubDate>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[martinique]]></category>
		<category><![CDATA[décolonisation]]></category>
		<category><![CDATA[FLN]]></category>
		<category><![CDATA[frantz fanon]]></category>
		<category><![CDATA[Jean-Claude Barny]]></category>
		<category><![CDATA[cinéma engagé]]></category>
		<guid isPermaLink="false">https://www.nofi.media/?p=94445</guid>

					<description><![CDATA[Through Fanon, Jean-Claude Barny delivers a masterful and committed biopic on Frantz Fanon, a key figure of anticolonialism. This intense film blends historical epic, political revolt, and poignant humanity, shedding light on the fate of a man whose ideas still resonate today. A must-see in 2025, to understand history and reflect on our present. Fanon, [&#8230;]]]></description>
		
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